Tag: marvel

Amazing Spider-Man Creators: Writer- Zeb Wells, Pencils- Ed McGuiness, Inks- Mark Farmer, Mark Morales, Wade von Grawbadger, Ed McGuiness, Colors- Marcio Menyz, Letters VC’s Joe Caramagna

Story

Glenn: So Rek-Rap is alive, hopefully after this they’ll be sent to the great void of obscurity, but I’ll always live in fear.

Seriously, this issue was a mess. Basically its Norman and Peter batting the ‘Goblin spirit’ back and forth like Calvin Ball. The level of stupidity on display was quite frankly astounding.

I like the idea of Peter’s spirit being the difference maker in a more figurative inner battle, but I’ve seen that been done a lot more times much more effectively plenty of other places.

Then Norman and Peter give each other the ‘buds? Buds!’ talk after all this. Kill me.

It’s puzzling that this was meant to be Wells last issue (revealed in the letters column). This would be a disastrous end to the run. Given that the more grounded stuff has definitely been the better part of his run, I hope Zeb Wells can leave this book with some dignity. This ain’t it though.

Steve: Glenn, Glenn, Glenn- don’t act like Rek-Rap isn’t your guy! C’mon, it’s Parker backward. Talk about clever. I kid, I kid. But seriously, that level of clever is what we got this entire run. The culmination of what started under the equally poor Spencer run landed with a thud. Glenn mentioned it, but the passing of the aformentioned Goblin Spirit like a game of hot potato was ridiculous. Then, there is that beautiful two page spread explaining why Peter’s spirit is so special. It almost had me. It was designed in a spider web and outlined why Peter is so special. But as Glenn stated, this isn’t the first time and it isn’t the best. It could not save this arc. As for the end, when Peter and Norman have a moment. I get it. Peter is accepting and forgiving. This certainly isn’t out of his character. It’s just that we all know that Norman will not be Goblin-less forever. It’s only a matter of time until some writer figures out how to end this mess and return Norman to the villain he truly is. (see Shadows of the Green Goblin below)

Art

Glenn: McGuiness is great, he draws great things. I’m glad that he’s sticking around to re-team with Joe Kelly for the next little step on the Amazing ladder. I hope they can make magic together like they did on their Deadpool days. He deserves to have one awesome Spider-Man story on his resume because his skill level certainly warrants it.

Steve: Ditto. What is left to be said about McGuinness. He is special and deserves better.

Overall

Glenn: Great art, a disaster of a story. This has been your current era of Amazing Spider-Man. One webshooter

Steve: One webshooter- only because of the art.

Creators: Writer- J.M. DeMatteis, Art- Michael Sta.Maria, Colors- Chris Sotomayor, Letters- VC’s Joe Camagna

Story

Glenn: I think JM DeMatteis is one of the best Spider-Man writers ever. Heck, he’s one of the best comic writers ever and a living legend. He’s been writing Spider-Man books off and on in every decade since the 80’s and always kills it. Writing Kraven’s Last Hunt alone would set him up as one of the greatest, but that’s just one brilliant Spider-Man story among oh so many.

In recent years, Marvel has been releasing retro series set in the past written by creators from roughly the same era the books are set in. I think this is a great idea as it is a way to continue giving work to comics legends from yesteryear who the industry all too often criminally leave behind, but also let’s them prove that THEY STILL GOT IT. This mini, emphasizes that more than the majority.

This takes place early in Peter’s career as Spider-Man and serves as a long delayed sequel to a minus one issue back from 1997. The minus month was a series of issues Marvel did to tell stories starring heroes and their supporting character prior to the origins we’re familiar with. Spider-Man -1 focused heavily of Norman and Harry where the former tested Stromm’s Goblin formula on an Osborp employee creating a monster.

Well, that character is back from obscurity to get their revenge with Spider-Man standing in the way. This issue heavily involves the Osborn’s and Stacy’s as Peter narrates this from some point in the present. Not knowing at the time the interactions he was having would be so important in his future. This issue deals with a lot including the return of the long thought dead Emily Osborn and the death of Gwen’s mother which if it’s ever been shown on the page, I don’t recall it.

Everything here clicked perfectly. Nothing that I noticed contrasted with continuity, and it was wonderful to get more context to these characters we’re all so familiar with. The series shows Norman at his most scheming prior to becoming the Goblin, Harry’s beginnings to a life of tragedy, context as to why Gwen is so cold initially when Peter meets her and brilliant interactions between May and her nephew.

Early Spider-Man stories used May as a glorified story device- there to just give Peter something else to worry about with little to do in terms of character. Over the years that has changed significantly of course and it’s great to get books like this that go back and add more depth to May in her early days. Here we see a worried and distraught woman who has lost her husband and fears for her nephew is becoming more distant while becoming increasingly unreliable.

It’s an excellent story that introduces new threads like Emily’s return I hope get picked up at some point. In Roger Stern and Ron Frenz’s brilliant and underrated Revenge Of The Green Goblin from back in 2000, Emily is stated as dead several times by Norman. While I don’t put it past Norman to consider Emily dead in a figurative sense, I wouldn’t put it past him to have hunted her down and murdered her during his time in Europe. There’s opportunity there either way.

Its a well crafted story that shows that DeMatteis can still conjure up a tale when it comes to Spider-Man and make it look easy.

Steve: Kudos Glenn on that rich historical walk down memory lane. I certainly don’t have that background and rely on Glenn to set me straight. I just know what I like in my Spidey books and this is IT! Spidey stories have to have heart, guilt, responsibility, empathy and this drive by Spidey to do what is right no matter the consequences. And, no less important, a good villain. See current Amazing Spider-Man to see what happens when you ruin one of the best villains in comics. Here Norman is a suitable villain, and he isn’t yet the Goblin. It’s cool to see why being the Goblin comes so easily. It’s simply in him. His showdown with Emily, his wife, and Harry is spectacular and a real surprise. It’s set up well with great payoff.

I tend to agree with Glenn in regards to DeMatteis’ skill. He tells a wonderful story here. The pacing is great and the payoff is wonderful. He fills the story with character moments that could drag a story down under a less skilled writer. Peter deals with his guilt and care for Aunt May, but not in an isolated way. It serves the story and his care for the Proto-Goblin. It totally informs his actions. That is why those moments work here and not in the reviewed issue of Amazing Spider-Man above. You can’t just drop info about Peter’s character in the middle of the arc. It has to be an integral part of it. Kudos to this creative team.

Art

Glenn: Michael Sta. Maria is an artist I’m unfamiliar with. His history seems to be primarily with Dynamite drawing vampire orientated tales so this is a big gig for him. I think he does a great job and his art matches the old school feel that this story is harkening back to.

Like most stories DeMatteis writes, there’s a healthy interjection of sorrow and quiet character moments alongside the action and I think Maria delivers both. Everything art wise hits the beats its meant to hit and the pair make a good team. I hope that Marvel continues to give him work going forward, I’d love to see his career progress.

Steve: Sta.Maria does an excellent job placing us in a yester-time. It looks dated and clearly in Peter’s past. He handles the suffering well, and especially the anguish of May and the Staceys. Overall, really well done. The only downside for me was that Norman’s face was inconsistent. There are two panels where Norman is spot on to Willem Defoe, but in others not even close. I get using reference, and in this case Norman from the movie, but it must be consistent.

Overall

Glenn: This will likely end up as a forgotten mini amongst all the relaunches, major events and stuff Marvel loves to parade around. Stories like the first 3 issues of Webspinners Tales Of Spider-Man and Spider-Man: Redemption also written by Dematteis are golden gems that nobody mentions enough. I’d say that while this story isn’t as good as those, this is an excellent mini that harkens back to a more innocent time in our hero’s life, but establishes that the darkness was definitely present. I hope to see more retro mini’s by one of the best to ever do it and if he brings a promising artist along for the ride, I wouldn’t object to that one bit.

4 Webshooters

Steve: 4.5 webshooters

Reviewing Spider-Man arcs, come back to Wanderings and Woolgathering.

Amazing Spider-Man Creators: Writer – Zeb Wells, Artist – Todd Nauck, Pencils – Ed McGuinness, Letters – Joe Caramagna, Inks – Wade Von Grawbadger

Story

Glenn: The character I feel sorry for the most in this run Is Ms. Marvel. She gets killed, brought back and then involved in this stupidity. I do find it funny that she’s kind of aware that this whole situation is beneath her and acts appropriately at times.

So the rag tag team of Ms. Marvel, Jonah, Curt Connors (with extra arm action) show up to confront Nomran along with RekRap. There’s a scene here where RekRap seemingly gets killed, and it’s probably a fakeout, but if it isn’t I will declare this the greatest Spider-Man comic of all time.

Anywho, there’s a lot of fighty fighty. Ms.Marvel gets her turn at the extra arms and then Spidey comes in with the sphere before he and Norman stumble down a hole. Next issue: The final showdown. Except the sins (ugh) leap back into Peter and Kraven shows up and says ‘Just let them stab it out’.

I’ve read worse, but not much. Very excited for this to finally be over and all this Goblin sin nonsense never mentioned again.

Steve: RekRap dead?!?!?!?!?! Say it ain’t so. Yeah, I don’t like RekRap, but not sure I wanted him to go out like Norman did in the 2002 Spider-Man movie- stabbed with the glider. Not sure what his purpose was if he simply showed up and got skewered. More throwing things against the wall to see what sticks, I guess.

As for the sins business, I didn’t like the Spencer storyline that started all this business and I certainly don’t like the passing around of “sins.” I can buy a lot of superhero non-sense- Superman singing to end Final Crisis, Superboy Prime punching the walls of reality, but I am tiring quickly of tossing “sins” around like a sack of potatoes. (no it’s not an Irish joke directed at Glenn:) Kraven is standing around like a spectator- seems highly out of character. Ms. Marvel is alive after the ridiculousness of issue 26, so I guess that’s good, but I’m not sure why she is even in this story. She’s been hanging around…..for what purpose? Maybe Ben will come out of this a little better than he was in Limbo. Arrrggghh, Glad the next issue is it. Time to move on.

Art

Glenn: A lot of fighty, fighty means the art has a lot to do and as usual, it does it well. It seems like Nauck is helping McGuiness stay on schedule and they look similar enough at times that it really works. Both are doing a great job trying to make the story worth reading but….it isn’t.

Steve: There really isn’t much to say about the art that we haven’t already said. It’s great and carries this book. Can’t wait for both writers to get something really good to draw.

Overall

Glenn: There has been worse issues, I’ll be honest. This one was just kinda dumb instead of very dumb. Again, I just want this thing to be over. The art does so much to bring the quality up. 2 Webshooters

Steve: Time to move on – 1 Webshooter

Check back for more Spidey reviews at Wanderings and Woolgathering.

Superior Spider-Man Creators: Story- Dan Slott, Pencils- Mark Bagley, Inks- John Dell, Colors- Edgar Delgado, Letters- VCs Joe Caramagna

Story

Glenn: So here we are, the big finale! This is bringing in elements from the previous Spider-Man volume and bringing us full circle back to the Empire State building when this story was first seeded which is a nice touch.

I thought it was clever how Otto was positioned to help defeat himself by Anna-Maria pulling the wool over his eyes. It was a big finale that put all the pieces back where they should be with the hero coming out on top, but the window just slightly enough ajar to explore some of the elements if anyone wishes to later on. I think overall, this book and the previous Spider-Man was really good. Slott’s done better Spidey stories, but this was a nice little swan song if this ends up being the last word he has on a Peter Parker focused ongoing.

I’m hoping to see Supernova and Anna-Marie pop up elsewhere. I wouldn’t be surprised if Slott uses one or both in Spider-Boy, I think the latter character is especially too good to be left gathering dust, but we’ll see.

Steve: I agree, Glenn, this was a fantastic finish. I was slow to come around after the first few issues; I felt that there was no reason to re-visit this concept. I was wrong. There was room for another story, and a great story we got. I was really pleased that Anna-Maria was the one who saved the day. She has been a wonderful addition to Spider-lore and her affect on Otto is ripe for storytelling. In the end, after saving the day, Otto has forgotten his time as Spider-Man and Supernova flies off to do who knows what. Both stories are waiting to be written.

• One interesting note- in the same week that Otto loses part of his memory, at least the part where he was Spider-Man, Lex Luthor lost his memory as well over in Superman. Both plugged themselves into a huge computer to save everyone. Marvel and DC always seem to be in sync.

Art

Glenn:

After he finished this issue, I imagine Bagley calling Marvel and being like ‘What’s next? Not Spider-Man, ANYTHING BUT SPIDER-MAN’. He does a great job as usual. Some great expressions and close ups here, especially on Anna-Marie when she’s doing her best Otto impression.

Great action as usual. Nothing really new to say here.

Steve: I honestly can’t imagine Bagley not drawing Spider-Man. He has to have drawn more Spider-Man issues than any other Spider artist. And I doubt it’s close. There were times through the years that felt like Bagley phoned it in. The art looked rushed. Here, it’s really sharp! He most certainly is on top of his game. He excels at action. One particular page with Anna Maria putting on her “bee keeper suit.” She is rushing forward with beautiful foreshortening breaking free from the panel. It’s spectacular.

Overall

Glenn: This issue pulled off a lot of threads and did it well. Again, Slott has done better, but that’s a high bar. Overall I’m just glad he got to do one more runaround with this concept in a way that was still different and engaging.

4 Webshooters

Steve: I concur with you, my friend. Great series and nicely landed ending. 4 Webshooters

Spectacular Spider-Men Creators: Writer- Greg Weisman, Penciler- Humberto Ramos, Inks- Victor Olazaba, Colors- Edgar Delgado, Letters- VCs Joe Caramagna

Story

Glenn: Our favourite Spider-Men break out of their little fantasy worlds and take the fight to…each other?! Oh dear. I’ve also lost count how many times Peter has lost a family and just carries that trauma like it’s no big. Also, I’m wonder if this little plot about Miles having feelings for Kamala is something that might be explored? Spider-Man has a history of soap opera drama!

There’s some great scene’s here with the villains scrambling to defend. I love the reveal of the financial backer. It makes sense and makes a villain who is often passed over as a joke a big deal. Elevating this villain always works well, so we’ll see how it shakes out here!

The pace is fast, but the moments land when needed. Looking forward to the final part of the story!

Steve: The worst part of this issue was that Glenn called it from the beginning. Well, I did some prognosticating back in issue 2– it was brought up by the folks in the shop as well. Who is the burned corpse? Who is Seymour? We shall see if I’m right in later issues, but for now, Glenn has me 1-0 in this series.

This is most certainly a fun issue. Very fast paced, lots of action, lots of feeling, a great reveal, and a sprinkle of Spider humor. Beneath the major moments that Glenn mentioned was a minor happening that sprouted from a seed planted back in issue 1. Weisman played the whole ‘wanting to be a regular at a coffee shop’ bit for humor in the beginning, but it came back in a plot point this issue as the supporting characters reported to a detective that Peter and Miles, among a few others, were conspicuously missing. The detective will discover the identity of the corpse and even me up with Glenn:)

Art

Glenn: Ramos is doing great Ramos things, as always. He can do deeply personal and emotional or big scale action pieces. Can’t fault the art department on any Spidey book.

Steve: Ramos is brilliant and no one does better Spider action than he does. And what’s more, Ramos does a wonderful job using the eyes of both Spider-Men to convey their emotions. It’s truly brilliant. Like Bagley, he is a master Spider-Man storyteller.

Overall

Glenn: With Superior going into the sunset, this is now the best in-continuity Peter led book and it has Miles too, added bonus! Weisman and Ramos continue to deliver in spades! 4.5 Webshooters

Steve: Great story and art here. I hope it concludes soon so it doesn’t overstay its welcome. As for now- 4 Webshooters

Come back next week for more Spider action.

Amazing Spider-Man Creators: Writer- Zeb Wells, Artist- Ed McGuinness

Story

Glenn: A lot happened in this issue and not in a good way. Largely this issue is a fight between Peter and Ben as Norman continues to go muwhahahahah.

Kamala Kahn is here, she deserves better, but she’s teamed up with the Living Brain, Jonah, Doc Ock’s Old Arms, Curt Connors, a random scientist and…RekRap. She is suitably confused and I imagine in her mind, she’s gone to her happy place of G. Willow Wilson writing her.

RekRap is back. I don’t think I need to say anything more about how that makes me feel. I asked my good friend Ray the worst character he could imagine showing up. He said Kindred and I admit, that would be worse, but not by much.

Where was I? Oh yeah, Ben beats Peter, Kraven hugs his spear and the Goblin Spirit (help me) leaves Spidey’s body causing his…costume to change.

I am sad.

Steve: The Amazing crew must hate coming out on weeks with Ultimate and Shadows of the Green Goblin because those books illustrate the major flaws of this title. I feel like there were some serious missteps here again. The biggest for me is the missed opportunity of a powerless Peter Parker. In a few short issues, he is stripped of his powers, becomes the Goblin, is turned back and is in possession of the stupid “spirit spear.” When a writer strips a character of his power, there is an opportunity to show why the character is great. It’s not because of his/her power, it’s about the person with the power. See Superman: War World recently. In place of this development, we got more silly Goblin Spirit mumbo jumbo. I am not sad to see Wells leaving the title after the next arc. And, yeah, I agree with Glenn. Why is Kamala even in this issue? Is he trying to make up for killing her 27 issues ago? Who knows….

Art

Glenn: McGuiness and Nauck are both doing a great job. I sometimes have a hard time who is drawing which page. Everything is visually engaging and both know how to draw a fight scene so this issue has that going for it.

RekRap being here is partly McGuiness fault because he loves drawing him. At least I know who to blame. I still think the Living Brain looks too much like Brainiac, robo Brainiac in particular and that distracts me a lot. Anyway, this story is ending next issue. given that we know that Wells is leaving soon, this could be McGuiness (along with Nuack) on Amazing.

I hope his next gig is much more worth his time.

Steve: There isn’t much left to say about McGuinness and Nauck. They are both masters of their craft. This book, while suffering from story, is beautiful to look at. The action sequences are a thing to behold.

Overall

Glenn: Dismal. Great art. I want to give this half a shooter but that’s not fair to the art team. This nonsense isn’t on them.

One and a half webshooters  

Steve: I’m going to be slightly more generous and go with a two, simply for the art.

Ultimate Spider-Man Creators: Writer- Jonathan Hickman, Artist- Marco Checchetto

Story

Glenn: A lot happened in this issue and it was wonderful. Spider-Man and the Goblin take on the Kingpin, but get more than they bargained for so they have to make their escape to live to fight another day. I’ll be interested to read more about the tattoo’s on Fisk’s body and how they link to his new increased and considerable strength.

There a few interesting moments where Harry as the Goblin is willing to go a bit further than the reluctant Peter. We’re seeing the seeds of conflict between the two. It’ll likely take a while to grow but they’re definitely being planted.

Meanwhile, May Parker spills the beans about her daddy’s secret so Peter finally has to fess up. Given that he had large bruises on his face, I doubt he could have kept the secret for much longer anyway. The rest of the family seem okay on the surface, but I think maybe the son might be the weak link here. He seemed to have a lot more questions and showed more concern than either his mother or sister. If there is a risk to Peter’s identity, I believe it is there.

There is an interesting and I feel realistic conversation between Peter and MJ. She seems very understanding and patient currently. We’ll see if that changes over time, but I thought it was sold well. We then end with a wonderful moment of MJ giving Peter his superhero name that is borderline magical.

This title continues to blow me away.

Steve: Kudos Glenn. You pretty much nailed it all. This issue was a wonderful payoff to the previous two more talk-heavy issues that focused solely on Peter and mostly Harry. Because things are going so well for the two and Harry is amazingly confident in his mission, we forget about the dangers awaiting them. Well, that hits quickly as the two are overwhelmed by an enhanced Kingpin. Great fight sequence, and as Glenn said, Harry is clearly willing to go further than Peter is. It is this subtle nugget that was worked in seamlessly that helps make this book so good. Jonathan Hickman is doing the work of his career with this book. He’s planned out every minor detail as he does in all his books, but this story is more down to earth and a simple story. I can’t wait to see where this goes.

The end scene was wonderfully done. It was a genuine moment handled in three pages. It said so much with so little. The banter between the two was genuine and showed the trust and respect in the relationship. And I’m a sucker for anytime that Peter gives someone a ride through the skies of New York.

Art

Glenn: Checchetto is back and everything looks amazing. The fighting? Amazing. The characters? Amazing? The emotion? Amazing. Again even the smallest panels conveying the smallest moments are draw droopingly stunning.

Given his level of detail, it seems Checchetto might have to take occassional art breaks which I’m fine with AS LONG AS HE NEVER LEAVES. THIS IS YOUR LIFE NOW CHECCHETTO.

The ending like I said is brilliant and of course, well written but the beats in the art raise it to the special level it is. The final panel we’re lead up to ending on the caption that simply reads ‘You’re Spider-Man’ with an image of Spider-Man and MJ swinging together…brings me so much joy I can’t convey it properly.

Steve: As much as I loved the fill in art from David Messina, it is nice to have Checchetto back. This book is an absolute joy to look at. There was a subtle moment in the final three pages that show his excellence and dedication to detail. As an artist, Checchetto must be the director of the action. Not just what they are doing, but how they act, their facial expressions, etc. There are two panels where he nails the interaction with MJ and Peter. As she questions him jokingly about being bitten by a “little spider,” the viewpoint is from slightly below as her head is cocked back. She believes him, but is playing a little game with him. It’s subtle, but perfect. It happens again when talking about a codename. There is another panel, where her head is playfully cocked at a downward angle, as she let’s him know that “I most certainly do” want to see the costume.

Writing this now I think, “Well, that isn’t really extraordinary, right?” Actually, I think it is. So many talking heads are very straight forward. They progress the scene just fine, but do not add nuance to the conversation. Those little details sell the relationship between Peter and MJ. It’s just one more aspect that makes this one of the best books on the shelf.

Overall

Glenn:

Another fantastic issue. This reminds me why I adore this character every issue. As a great man once stated Nuff said.

Five webshooters

Steve: What Glenn said. 5 webshooters

Until next time with more Spider-man content at Wanderings and Woolgathering.

Amazing Spider-Man 51 Creators: Writer – Zeb Wells, Pencilers- Ed McGuinness and Todd Nauck, Inkers- Mark Farmer, Todd Nauck, Cliff Rathburn, Wade Grawbadger, Colors- Marcio Menyz, Erick Arciniega and Bryan Valenza, Letters- VCs Joe Caramagna

Story

Glenn: The Spidey who gobbles (credit to whoever I saw on Twitter use that) comes along and takes out the Sinister Six. Meanwhile the Living Brain is saving the day verrrry slowlyyyyyy. Oh and Kamala is here. Run Kamala, you got killed the last time you appeared!

I’m not opposed to seeing the Six jobbed out to an unrestrained Spider-Man. Its the same logic with the Batman Who Laughs being far more dangerous than the original because he has no filter or rules holding him back.

I am hoping the stupid gel arms are gone. Oh and Jonah’s having tea/coffee with Ock’s old arms because stuff.

Steve: This issue was non-stop action- it bulldozed through the pages. That’s a good thing here as this series has plodded along for 51 issues now with mis-step after mis-step. I have two issues with this issue. First, is the point that Glenn made about the Sinister Six. Spidey cuts through them like a hot knife through butter. I get it; Spidey is not restrained by his moral compass here. However, the Six should at least put up a formidable fight to some degree. Here they are reduced to second rate villains, like the ordinary robbers Spidey webs up in quick order. Spider-Man has always had one of the best rogues galleries in comics. Wells built up their entrance into the book with a wonderful story about Sandman and the Six’s need to have the whole team together. And for what? A few pages of trampling. Wasted opportunity.

Second issue is that Spider-Man throughout this series is too far from his roots. When Stan Lee and Steve Ditko created Spider-Man, the idea was that Peter was the everyman. He was like you and me, with the real problems of anyone his age. Books like Shadow of the Green Goblin get it. Peter acts from a genuine place: one of guilt and responsibility. His actions tie back to his need to do right. Stories like this one become a big action piece that loses that connection that makes Peter so engaging and relatable. The more this goes on, the sillier it gets. I’m sure there are fans out there who love this version of Spider-Man, but it’s not for me.

Art

Glenn: Ed McGuinness can draw a fight scene. He’s great at superhero action and everything looks great apart from the new Goblin costume.

I’m not a fan of the costume. I’d rather just have Peter dressed in the classic Green Goblin costume and having the story convey its him through another way to his enemy. I mean that moment where the Goblin can tell Peter is back at the end of Superior Spider-Man (Vol. 1) is brilliant but alas no, all subtlety is out the window.

Once again the art lifts this up considerably. I don’t see a downside to McGuinness work at all actual…what’s that Steve?  Which character he likes to draw is back next issue? Steve here: Shhhhhhhhh

Steve: Well, first off, I got the copy with the Scottie Young cover. It doesn’t get more adorable than a Scottie Young Spidey. Ask you LCS owner to save covers like this for you before they fly off the shelf. I did:) As for the interior art? Wonderful. Ed McGuinness is a treasure. This book is an action piece which fits perfectly in McGuiness’ wheelhouse. The pages are frenetic. The action flows from panel to panel. The spreads are beautiful. When it comes to Spidey action, McGuinness and Humberto Ramos are the go-to artists. I wish, as Glenn has said before, that McGuinness could get a better story to illustrate.

Overall

Glenn:

Usual blend of great visuals with a poor story. I feel that all these pieces could be brought together much better than they are and that’s just not the case.

2 Webshooters

Steve: 2 Webshooters

Ultimate Spider-Man 5 Creators: Writer- Jonathan Hickman, Guest Artist- David Messina, Colors- Matthew Wilson, Letters- VCs Cory Petit and Joe Sabino

Story

Glenn: We don’t get much of Spidey this issue or even Peter as we focus our attention on Harry and how he came to become the new version of the Green Goblin.

It turns out that he stumbles on one of Tony’s holograms where he was leaving the Shocker (Herman) his signature weapons. He then goes on to find an Iron Suit cache and blends Oscorp and Stark tech into forming his Green Goblin guise. There’s some interesting cameo’s of characters we’re familiar with but like the rest of this version of the Ultimate Universe, it’s not quite how we’re familiar with them.

We find out all this links to the Kingpin and how Harry looks to take him down…by any means necessary. We’re slowly getting answers here, and I’m loving how the layers are getting peeled back in this fashion.

Steve: Normally, I don’t favor issues like this, essentially an info dump. However, it works here because it’s done by experts and because the new Ultimate Universe is so vastly different. When the original Ultimate Universe started, the world was different, but very much the same. It wasn’t entangled with years of continuity, but while there were changes, much stayed the same. The heroes were heroes and the villains were villains. This new universe is very different. Heroes are villains and vice-versa. For us to really dig in as readers, an issue that firmly places our heroes in this new world is a welcome issue. Now, we not only feel connected to Peter and his family, but Harry is likable, we feel for him, and we are connected to his plans. I, for one, can’t wait to see where this goes.

Art

Glenn: Still no Checchetto, but he’s back next issue (yay!). Meanwhile David Messina does an excellent job filling in. Its a strong enough visual match that its not jarring and he matches the tone that the main creative team are setting. There’s a lot of talky-talky in this book, and I think Messina does a great job keeping the reader invested visually.

Steve: I don’t think I’ve ever read a book where the guest artist makes sure the book doesn’t miss a beat. Messina is a wonderful fill in for Checchetto; stylistically they are similar and the facial realism continues in his absence. Marvel picked the perfect issues for Messina as they are world building pieces and rely largely on conversations and background. The real star for me here is the colorist Matthew Wilson. I love the use of warm colors while we learn how Harry got to be where he is now. Lots of reds, oranges and yellows tell Harry’s story. When we get to the present day, the scenes with a cold and calculated Harry as the Goblin, Wilson switches to cool colors, predominantly blues. It is a wonderful transition from then to now.

Overall

Glenn: Its slow, but super compelling. Some people say the book has nothing happening or is boring but I’m adoring this so far. I often wondered what a Hickman Spidey book would look like and now it’s here I’m like ‘Yeah, that’s about right.’ As long as its compelling, I don’t care and there’s nothing wrong with leaving people wanting more. 4.5 Webshooters

Steve: This is some of my favorite Hickman work to date. Sometimes I need a guide to help me follow along, but here he not only tells a captivating story, but he’s giving us the necessary details. And the art is the perfect accompaniment. This one hits all the notes for me. 5 Webshooters

Next week- Amazing Spider-Man 52.

Amazing Spider-Man Creators: Writers– Zeb Wells, Marv Wolfman, Nikesh Shukla, Lee Gatlin, Joe Kelly, Artists- Ed McGuiness, Terry Dodson, Chriscross, Lee Gatlin, Todd Nauck, Inks– Mark Farmer, Rachel Dodson, Juan Ferreyra, Colors– Terry Dodson, Andrew Dalhouse, Rachel Rosenberg, Letters– Joe Caramagna

Story

Glenn: Has it been 50 issues already? It feels like 5000. Still better than the last run, but damn if it’s not trying. Anywho, given this was a big special issue (with a big special price), there’s a few stories in here so lets go over them.

The main story has Norman return as the Goblin and I am SHOCKED. SHOCKED. There’s a fight between him and Spider-Man as we get more nonsense the evil Goblin spirit or whatever. Also the living Brain is now mobile and seems to be on the move.

We then get a cliffhanger with Norman using a trigger phrase to turn Peter into a Goblin because it turns out he’s been in the Tinkerer machine a time or two. I mean they could have tied it to when Norman brainwashed Peter into being the Goblin before but that would require research beyond a comic published between 1963 and 1970/2005 and now.

Its essentially a big fight so the art has to carry a lot, so I’ll talk about that before. Story wise it just seems Wells is enjoying Chip Z’s Batman run.

Steve: First story- geez, more sins, Norman’s personality being shared all over, an empty sin spear. And get this, Norman is bad again. As my friend Glenn said, “Shocked!” The best thing I can say about the issue is that it moves very quickly and would seem to be moving toward a conclusion, finally. There is nothing abjectly wrong about the issue. I struggle with the mumbo jumbo still being used following the Spencer run and his silly sin erasing. Sharing pieces of a person, see Superior for bodies, and personalities here is being used a little too heavily in the Spidey books. Time to move on.

Glenn: Second story was a Black Cat one written by her co-creator and comic legend, Marv Wolfman. It’s a pretty standard Black Cat story where she is stealing things, Spider-Man wonders why and all is not what it seems.

I was just puzzled why if Felicia is stealing things her father attempted to, but couldn’t why all the items are ultimately worthless? I felt I missed something in there or it wasn’t conveyed very well. Otherwise a very standard/inoffensive Spider-Man/Black Cat energy I probably enjoyed more than it warranted because I like Felicia.

Steve: This is an all for naught story. The supposed payoff is trumped by Felicia’s own words, “temporarily borrowed.” So, in her dad’s honor, she steals things he failed to steal only to give them back. I think this was supposed to be clever, but fell flat for me.

Glenn: A nice story for our third in which Spidey gets a doughnut and helps an old lady. In recent years with Spider-Verse’s and other such things, its hard to remember the Neighbourhood part in Friendly Neighbourhood Spider-Man so this is a nice reminder of that. Nothing extraordinary, but just wholesome which isn’t bad especially for the companies flagship character.

Steve: I really enjoyed this one. As Glenn said, it put the Neighborhood back in the title. At heart, this fits Peter Parker perfectly. I love his interaction with a sweet ol lady over a sandwich and making bread. I make bread so maybe I’m partial to this story. Regardless, it had charm and I like it a lot. Reminds me of Tom Taylor’s run a few years ago.

Glenn: Sort of a Sunday funnies type effort from Lee Gatlin is our fourth. A fun story that mostly seems to be about the Thing. Best story in this issue.

Steve: The story is fine. I just couldn’t stop feeling like Spider-Man was a relative of Cheese from Foster’s Home for Imaginary Friends. So similar that I wanted chocolate milk! This one was quirky and fun, great dialog.

Glenn: Then there’s a brief Spider-Man is cursed so goes to visit Doctor Strange at a bad time. Another simple character piece that seems to be building towards something else? No clue what, the art lifts this significantly again.

Steve: Not much to this story. Just a simple moment between Spidey and Doctor Strange. There is more here than meets the eye. The addiction line, “only as sick as our secrets” is used here to let us know that Strange is dealing with something big that he won’t share with Peter. It’s quaint, but I hope we follow up to find out what happened to Strange.

Then there’s an epilogue with more Living Brain, the new hero of this comic now that Norman’s turned evil.

Art

Glenn: Ed McGuiness draws the main tale which again is mostly a fight and he does a brilliant job because he’s Ed McGuiness. I love how he draws the Green Goblin in particular. He does great work making this little inevitable turn of events actually worth reading visually if nothing else.

Steve: The art here is still strong, especially his Goblin work, but something seemed off. Not sure if it’s the inks or colors, but this doesn’t look like standard McGuiness art. There is a thickness and darkness that does not feel like him. I’m no Ed expert, but it’s not instantly recognizable. Panel construction and movement is still brilliant, so this is certainly fun to look at.

Glenn: On the Black Cat story we have Terry Dodson and his wife who have drawn Felicia almost more than anyone else. They draw both characters extremely well. The Dodson’s always deliver and I’m glad that Felicia here is still sexy but without having her breasts half on display. Again the art team lifts up a pretty rudimentary story significantly.

Steve: Agree Glenn. They do an amazing job on this one. I love the Dodsons’ use of cool color pallette and the softness they apply to the color application. Perfect choice for this villainous female lead. I really hope the Dodson’s land on Daredevil for a long run. (I’m selfish)

Glenn: ChrisCross is a working man’s artist who has drawn every major franchise here and there for about 20-30 years. He’s one of those people you call that never hit it ‘big’ but delivers on time and does a good to great job. The art is good, it’s a quieter story and it’s delivered well with the necessary beats in the art to sell that while still making it engaging.

Steve: I’m not a fan of ChrisCross on this issue. I really don’t like the Spider-Man mask here- too blocky around the eyes. There is also a lot of deep shadow on Spider-Man making him feel heavy. This should be a breezy, light issue and the art does not portray that.

Glenn: The art from Gatlin on the story that they also write is very fun. It matches the tone of the story perfectly. It’s certainly not a style you see in big two comics often and is more akin to a comedy strip in a newspaper or a webcomic. It’s a nice change and I wouldn’t find seeing their work now and then more regularly. Perhaps something like Mini Marvel’s from the early 2000’s which I always found funny.

Steve: The art here is so quirky and delightful. Lots of nice touches to support the silly dialog. I particularly love the page where Spidey makes a swing for himself while interrogating the Thing and Rhino. I think an anthology with all Marvel heroes would be nice, as Glenn says. Or, a back up in Amazing since they already charge too much for drivel:)

Glenn: Web shooter fave Juan Ferreyra is here for some Doctor Strange and he does it like he was born to do it. His art adds so much atmosphere to this very short story and it makes me wonder WHY HAS FERREYRA NOT BEEN DRAWING DOCTOR STRANGE FOR LIKE 20 BILLION YEARS. I love especially the subtle moment of Strange wiping away the tear, just brilliant stuff. GET THIS GUY DRAWING A STRANGE BOOK, ITS A LICENCE TO PRINT MONEY.

Steve: No surprise from me here, Ferreyra fan boy. This is just so good. Juan handles the silliness of Niffelheim Imps and the gravity of a distraught Doctor Strange on subsequent pages. I love the art and would love to see a follow up with the story. We have seen Ferreyra on a mini and a few issues here and there. We need a series full of goodness for this relatively new artist to the big properties.

Glenn: The little epilogue is drawn by Todd Nauck who as we’ve said before is always welcome. I actually thought it was still McGuiness so it was impressive to see much consistency. I hope Marvel gets him on something worthy of his underrated talent soon.

Steve: I have loved Nauck for years. He is very consistent and does a beautiful job with all aspects of the panel.

Steve: I don’t usually comment on the covers, but I’m a sucker for these negative space covers. This one by John Tyler Christopher is beautiful with black costume on stark white.

Overall

Glenn: Its an okay issue. The stories have one really strong one that is mostly a throwaway gag strip. Everything else ranged from okay to very good and the artists REALLY escalate the issue across the board. Once again, Amazing’s so-so weird storytelling is lifted up by the art, an appropriate theme to hit on for this book’s 50th issue. 3 Webshooters

Steve: This is really hit and miss. Sadly, the main story is miss. The other minis can’t save it from that $10 price tag. 2 Webshooters

It’s another trifecta week with Spider-Man comics. Which ones should you be reading?

Ultimate Spider-Man creators: Writer- Jonathan Hickman, Guest Artist- David Messina, Colors- Matthew Wilson, Letters- VCs Cory Petit

Story

Glenn: This is a quieter issue in some ways. Its almost like a play with the majority of it taking place inside a restaurant with a long conversation between two couples. This features a double date between Peter and Mary Jane Parker along with Harry Osborn and his wife….Gwen Stacy. The conversation and character beats between the two pairs is very interesting. It’s hard to make an issue full of talking compelling, but damn this manages it.

We also get great cutaways with the Parker kids, Ben and Jonah. There’s a lot of filling in the margins here as we finally find out about MJ’s job, more about Harry and get a good overview of who this version of Gwen is. Over the last ten years, the Spider-Gwen version of Peter’s first love has dominated the character, but this version here is more like the original Lee/Ditko version all grown up and if she never met Peter. I wonder if she had a copy of Atlas Shrugged in her bag.

Steve: This issue deals almost entirely with a dinner date among Peter, MJ, Harry and Gwen. It’s really cool that Hickman is building a very different dynamic with the four friends, but capitalizing on our familiarity. The entire books is charming and engaging. We get a glimpse into their personalities and push the story forward in an unusual way. After a lot of chatting, Harry finally drops the proposition to Peter- “save the world.” Interestingly, it’s Harry who delivers the famous line about responsibility and power. Peter is not quite ready to hear it, but I’m sure a catalyst is coming shortly that will galvanize his journey into becoming the Spider-Man we know. Spider-Man working alongside the Green Goblin should be interesting.

I’m sure this won’t be an issue for everyone. Apparently, folks are already complaining about a “talking heads” issue. I, for one, loved it. It was written brilliantly and I felt like I was sitting at the table. It was an interesting way to further develop this new Ultimate world. I wouldn’t want every issue to be like this, but a one off like this was very refreshing.

Art

Glenn: Marco Checchetto is on an art break already

*trashes furniture*

What’s that? David Messina? Well let’s see….

In truth, Messina is no Chechetto but he does an admirable job filling in. The style is similar enough that its not distracting but I think that’s likely the colouring but in a dialogue heavy issue the artist has to make this visually engaging and Messina definitely rises to the task.

There’s a lot of little glances, expressions and emotional expressions that give different meaning and possible explanations to the dialogue being portrayed. There’s a lot going on in these exchanges beyond the words being spoken and Messina delivers that with exceptional skill.

A more than acceptable fill in even though I’m not sure what it says about Marvel’s organizational skills that we have a fill in this early.

Steve: When I saw that there was a fill-in artist, if that’s what we call it, I was a bit bummed. Marco Checchetto is an absolute master and one of the best in the business. I was pleasantly surprised, however, because David Messina is an excellent artist. His style is slightly different than Checchetto’s, but not jarringly so. This is very important because most of the issue dealt with faces, expressions and conversation. A major difference in style would have stuck out and taken the reader out of the story. I think the key here is that both have the amazing colorist Matthew Wilson. His use of warm colors and a muted pallet makes this issue feel familiar. It truly felt like a continuation of the last issue.

Overall:

Glenn: Slower issue but a lot going on that might be more than at first glance. The boom continues to be excellent overall. 4 Webshooters

Steve: Still the best Spider book on the shelves. 4 Webshooters

Superior Spider-Man creators: Story- Dan Slott, Writer- Christos Gage, Pencils- Mark Bagley, Inks- John Dell and Andrew Hennessy, Colors- Edgar Delgado, Letters- VC’s Joe Caramagna

Story

Glenn: Just as I was thinking this was running in place a little, Slott does a great job shaking up the snow globe. We get some great character work with all characters involved and Otto finally going full heel. The one thing I didn’t expect to happen here does happen and given I’ve only known Doctor Octopus for oh say, 30 years, I should have known better.

The little twist with Spider-boy and the spiders being infused with Otto’s brain patterns has added a different layer to the title I wasn’t expecting. Just when I think that Slott is delivering great, but somewhat running in place material he makes me remember that he still has the goods. I never should have questioned it to be fair.

Steve: Last time, I stated that this comic didn’t have an original direction and was ultimately not really necessary. I take it back. Slott brought Otto truly back to his obnoxious self- no more worrying about whether he would work with Peter. He is in full blown Doc Ock mode. And furthermore, we have Doc Ock spiders falling all over the city with infected folks calling others “Dolt,” “Cretin,” “Imbecile” and others. Does it get any better than that?

Lots of layers here. Spider-Man and Anna Maria battling Doc Ock trying to save Supernova. Spider-boy now ostensibly a little superior spider for Doc Ock. Spiders falling all over the city infecting folks. And most importantly, this was fun to read. It had wonderful humor that didn’t feel forced. And best of all, Spider-Man was totally in character here. Doesn’t get much better in comics than when Spidey is being Spidey. I will call this the rebound issue! Kudos to the creators.

Art

Glenn: It’s Mark Bagley drawing Mark Bagley things. Delivering in all areas as usual. This creative team might be one of the steadiest in comics which I always think is so important in comics. I’m old school and believe in consistent creative teams so glad to see two of the best Spidey creators ever being able to do that month in and month out.

Steve: At this point, I’m not sure what to say about Mark Bagley. He has drawn one million, yeah, that’s right- one million issues of Spider-Man. At this point, he is pretty good at it. He has a lot of action to draw here, and it looks wonderful. He got to create a new character, sort of, in the Superior Spider-boy. I don’t know about you, but I noticed a Trigon from DC look to him. (It’s the eye thing). Great issue with a lot of detail- well done.

Overall

Glenn: A great shake up. Excellent book. 4 Webshooters

Steve: I was getting a bit worried about this series, but feel like we are back on the rails. 4 Webshooters

Amazing Spider-Man creators: Writer- Zeb Wells, Guest Artist- Todd Nauck, Guest Colorist- Sonia Oback, Letterer- VC’s Joe Caramagna

Story

Glenn: We get a big showdown between Peter (and Betty) against Ben, Janine and the Goblin Queen. That’s right folks its like the Legion Of Doom if they were comprised of characters J.M DeMatteis co-created or had a big hand in that have been made 500% worse.

There’s a lot of the Goblin Queen voicing frustration that their evil aura has been removed, but they’re still evil for no reason. Stop pointing out your own story logic gaps Marvel!

Seriously though, this issue is a lot better. the action is good, we have Ben and Janine (hopefully) seemingly moving on and the implication of an interesting mystery. I’m thinking said mystery will lead up to the *checks notes* Spider Goblin in issue 50 though so we’ll see.

Steve: I’ll be honest, until this run on Spider-Man I wasn’t overly familiar with the character Goblin Queen. Interestingly enough, as I’m reading this, I am reading X-Factor from the beginning. As many know, Madelyn Prior, the Goblin Queen, is married to Scott Summers at the beginning of that run. As Jean is resurrected, Scott leaves her to run back to his X crew. She seemingly dies……and well, lots of history. So, that doesn’t make this story any better, but it does add a little weight to her line, “If you can find a way to look past our complicated history.” Yeah, complicated all right. This just in- Glenn informs me that I’m a moron and that this Goblin Queen is in fact not at all Madelyn Pryor. Disregard…..

This issue was better in a sense. It had some nicely drawn action and some nice, if not warm, character moments between Janine and Ben. While they are the villains at the beginning of the issue, the reader feels a sense of sorrow, yet hope for their future. Perhaps a mini to follow their path would be appropriate.

The problem with this small arc is that it feels like filler. Lots of action that ultimately doesn’t really lead anywhere other than the cryptic line delivered by Ben, “That machine showed me some terrible things. Spider-Man is in a lot of trouble.” )Glenn has thoughts on that) Then, we get the obligatory ending with the Sinister Six that keeps popping up at the end of issues. I don’t see the buildup. I don’t see the tension. I just don’t see why this is necessary at this point. It has been done so many times before. Seems like Wells just wants to take his stab on his greatest villains.

Art

Glenn: I think a lot of this issue is lifted up considerably by Todd Nauck. He makes the ‘Jason’ persona of Hallow’s Eve go from a laughable oddity to an entertaining threat. He delivers on the emotion, the action and more here.

He draws all the things well and again, he’s another drive by artist that was sticking around to do more. Not sure where he’s headed off to but Nauck is one of the most underrated talents in the history of comics and any book is lucky to get him.

Overall: Its better but still not great. The art is so good though that I think it softens the blow of a lot of the stuff delivered here.

Steve: The worst part of the art on this book is that it says, “Todd Nauck- Guest Artist.” We know what that means. John Romita Jr will be back?!?!?! It’s not just my distaste for JRJr. Todd Nauck is an excellent artist. He does everything extremely well: action, layouts, acting, faces, drama. The story has definitely improved, but the art is the star again. The panel with the closeup on Janine’s face as she realizes that Peter and Betty are telling her the truth and she and Ben have been duped is perfect! Loads of emotion. I will certainly miss Nauck when he moves on.

Overall

Glenn: Vampires and John Romita Jr is back. I bet Steve is excited! 3 Webshooters

Steve: Better. Art is wonderful. Three Webshooters

Check back for more Spider action.

Spectacular Spider-Men Creators: Writer- Greg Weisman, Penciler- Humberto Ramos, Inks- Victor Olazaba, Colors- Edgar Delgado, Letters- Joe Caramagna

Story

Glenn: A lot going on in terms of action and plot. This is another fast paced issue featuring our Spider-Boys fighting multiple Vermin Clones, trying to dig into a mystery or two and some other interesting things.

There’s also interesting ‘cutaways’ with people on dates with people that are spoken for, Turk punching out Daredevil and trips abroad. I thought maybe The Jackal was offering dates with people he was cloning, but now I’m thinking some sort of VR element. That brings to mind for me possible masterminds like Mendell Stromm, Arcade, Daniel Berkhart or Maguire Beck, but we’ll see.

It has my interest and how that links to cloning is going to be interesting to find out. Also, what’s the deal with the skeleton? So many questions! It’s a book with a lot going on but doesn’t feel overwhelming. I’m loving the coffee shop as a central hub for the characters and for some reason, it helps keep the book distinct from all the other Spidey books.

This Greg Weisman is going places.

Steve: Interesting that you mention the skeleton, Glenn. In the opening pages, there is a charred corpse from the lab of Miles Warren. One of the doctors from the lab shows up at the coffee shop. He didn’t order his usual coffee; this time he ordered a darjeeling tea, the known to be Miles Warren’s favorite. Hmmmm, could there have been a body switch. I guess we will find out when they uncover the identity of the mysterious corpse.

Of course that’s not the only mystery here. As Glenn reported, there are several “meanwhile” pages in which we find characters living their dreams. Too good to be true, obviously, but heightens the mystery of who is behind all of this. The answer will be found in the Arcadium, I suppose.

This issue was a joy to read. Mysteries aside, the dialog is sharp. The humor is natural. The flow and movement is effortless. Wonderful writing and partnership with the artist. I also liked the message delivered by Miles’ clone Shift and the vermin clones. It is not our fault why we are the way we are, but we must protect those who are treated poorly because of that. It is a nice message delivered by those who are different. Again, felt natural within the context of the story.

Art

Glenn:

Ramos is doing great work as always. His kinetic and lively art matches the rapid pace of the book well. He’s able to draw a quiet romantic scene in Italy and a fight with multiple rat men in a sewer with equal skill.

I wish I had more to say. I always feel I’m saying more with the story, but when you’re reviewing every issue and the art is great I’m not sure what else to say.

Steve: I hear ya Glenn. Ramos is a master and one of my favorite Spider-Man artists. It’s no secret that I love how he draws Spidey, but the real treat here is that he gets to draw a lot of Vermin. He really excelled drawing monsters and all out craziness in the sewers.

I also really like the double page spread of the coffee shop. Lots of character moment. This piece of the story, the coffee meet up with Miles and Peter, is becoming a major part of the story. Giving it space is a great idea. It’s kind of similar to Central Perk in friends or “Restaurant” in Seinfeld. Fun to read.

Overall

Glenn: Another excellent issue in this very young series – 4 Webshooters

Steve: I concur- I love the mysteries in play and the wonderful chemistry of Peter and Miles. 4 Webshooters

Check out Wanderings and Woolgathering Pop Culture page for more Spidey action.

Amazing Spider-Man Creators: Writer- Zeb Wells, Artists- Todd Nauck, Colors- Sonia Oback, Letters- VC’s Joe Caramagna

Story:

Glenn: This issue had a long uphill climb for me because I don’t like this Chasm angle with Ben and I don’t like this ‘We have Punchline at home’ angle going on with Janine and there they both are on the cover. The climb was not successful.

There’s both a lot that goes on here and also nothing at all. Ben and Janine/Elizabeth meet up again, Peter talks to MJ before realizing he’s on a date but then we zoom over to a living brain thingy before checking back in with Spidey coming to save Betty who’s being harassed very mildly from guys from Hired Goons Inc to pick up the Hobgoblin story from earlier in this run and then a cliffhanger with a face off between Spidey and Ben, Janine and Goblin Queen.

Its a lot but it all feels so…empty. The stuff with Hallow’s Eve just makes me want to roll my eyes so bad. This is not a good character and as someone who loved Janine due to the awesome work her co-creator J.M. DeMatteis did with her it just makes me kinda sad to see her character like this.

It seems like they’re pushing MJ into the Peter best friend role that over the decades has been filled by Harry, Flash and Randy. I’m not opposed to this, but that change for MJ from primary love interest in the last run or two (and for the majority of Spider-Man’s 60 years) to besty needs to be done REALLY WELL and REALLY CAREFULLY. That is not happening here.

Also, everyone’s favorite Paul is here. I don’t particularly have the visceral hatred for this character some do, but he’s become the mascot of all that is wrong in Amazing. Trust me, the problems are much worse than MJ sitting next to an equivalent of a person made out of boxes.

Someone online pointed out that the face off at the end would be much better if it was Spidey and Jackpot against Ben and Janine. That actually makes a lot of sense cause it could add a few more layer’s that might make this more interesting but…no.

I’m sad now.

Steve: Zeb Wells pays tribute to what has come before, both in his own book and those who steered the ship before him. Sadly, he does this to the detriment of his own story. Continuing to utilize a version of Ben that is unpopular and ruinous to the character is a poor choice. Returning to Hallow’s Eve and the Goblin Queen is wearing thin. I didn’t love the whole Limbo storyline, so I’m not happy to continue revisiting these stories. I’m sure there are others who love it, and that’s fine. This concept should have been wrapped up by now. Wells is going to the proverbial well too many times. And, it’s not just this concept. The entire Gang War story didn’t wrap up meaningfully and will return as well. His whole run has stagnated. It is time to wrap up and move on.

I wish Peter was back with MJ, but the best part of this issue was the date with Shay set up by MJ’s aunt. It was completely on character that Peter didn’t recognize that he was set up on a date. The date felt genuine and allowed Peter to have a moment of joy. Of course, it ended in a very Spider-Man way as he is called away before dessert. One of the few familiar Spider-Man bits that felt right.

As with his other stories, I am ready for Wells to wrap up. Oh wait, this just in……Peter will become a version of the Goblin. Oh boy, can’t wait!

Art:

Glenn: Todd Nauck is great. He’s been a hard working journeyman artist in comics since the 90’s who has drawn some of the biggest and most iconic characters and I feel he doesn’t get the acclaim he deserves. He’s no stranger to Spider-Man of course as he’s drawn a bunch of issues here and there, some mini’s and just all over the show. His two most prominent periods of Spidey work were drawing a lot of Peter David’s Friendly Neighbourhood Spider-Man and drawing the uber super duper best selling Obama back up story from Amazing 583.

Always glad to see his work, he deserves more. He does a great job drawing all the things he has to draw here. There’s a lot of talky talky this issue and he makes it visually engaging. His splash page of Spider-Man is awesome and I wish he’d join the regular art team and Marvel to treat him as equal status as John Romita JR and Ed McGuinness but much like Carmen Carnero he’s only stopping by.

Much like the majority of art in this book, it’s lifting up the book considerably and deserves a much, much better story.

Steve: The first time I really noticed of Todd Nauck was his work on Young Justice. He had a unique style, as he still does. The difference between then and now is that on YJ, he actually had good stories to draw. I tire of the art on Amazing. John Romita Jr. is the main artist and he is one of my least favorite artists. McGuinness, Carnero and now Nauck stop by and I love it. But then, they move on and I have to suffer through more Jr.

Anyway, for a minute, I got to visually love an issue of Amazing. Nauck is a true artistic genius.

Overall:

Glenn: Back to the doldrums, The art brings this up considerably. Two webshooters and like 1.75 of that is all Nauck.

Steve: I’m glad we have Ultimate, Spectacular, Superior and Shadow, because this Spiderman just ain’t it!

Come back next week for Spectacular Spider-Men 3.

Amazing Spider-Man Creators: Writer- Zeb Wells, Artist- John Romita Jr, Inks- Scott Hanna, Colors- Marcio Menyz, Letters- Joe Caramagna

Story:

Glenn: So sometimes when I read a story and review it, I talk about moments when the ending just kinda happens and it’s like ‘and now we’re done’ and that’s how this story felt. After Tombstone takes back control (to save his daughter in a fashion), the people on both sides start fighting on his side and Masque is taken down.

I felt in his own title, Spider-Man was shown a bit weak. He has to be saved first by Shotgun (why?) and Jackpot (ugh). We then get a nice scene between Peter and Randy followed by Tombstone reasserting his new (old?) position and saying that Spidey is in danger from unspecified things because of him owing a favor or some such (yayyyy).

So we end the story pretty much back where we started. It all feels very abrupt, like the story had to wrap up pronto because of some ticking clock the rest of us couldn’t see. I feel the ending really let this arc down after a great start. It wasn’t terrible but this issue story wise fits the theme for this run. It’s not bad all the time (although it has been) but mostly it just leaves you scratching your head as to why a story is told this way.

Steve: Fight scenes in comics are commonplace. They have been done beautifully and well orchestrated, as it was here. The problem is- there should be some major stakes at play or a dramatic change to the status quo. We really get neither here. At the end of last issue, Tombstone effectively ended the story by knocking his daughter out to save her. The bulk of issue 44 was a silly fight that went nowhere except back to where we began with Tombstone in charge. Nothing happened. 44 issues, lots of build up, seeds planted and it’s all wasted bringing us back where we began.

The event as a whole had some nice moments. The friendship of Robbie and Peter was explored and deepened here. The love of a child and father is front and center and pays off here as Tombstone does what is necessary to save his daughter, including teaming up with his enemy. The buildup of Madame Masque is really effective throughout the story…..until the end. It is all swept away in one silly fight. The tie-ins were actually pretty good, adding depth to a story that ultimately let those tie-ins down. This event is just another example of Wells’ entire run- some shining moments, but ultimately falling apart and missing the landing. I was hoping for a talent change, but that doesn’t seem to be happening anytime soon. Oh well, at least there is Superior and Ultimate Spider-Mans to enjoy.

Art:

Glenn: I’m looking forward to taking a break from debating the quality of JRJR with my good pal Steve. He delivers everything in his usual JRJR way. You’ll either like it or you won’t. I did like it for the record.

He’ll be back for some Morbin time. Truly it is like he’s drawing the Mackie run again. I can’t wait for Jimmy-6 to come back (anyone that gets this reference gets to have Steve for a weekend).

Steve: Well, Glenn, you won’t hear any complaints from me about JRJr. He was by far the best part of this issue. JRJr is a sun compared to Wells depleted flashlight limping on its last minutes of illumination. As usual, Romita brings excellent action and great storytelling while struggling with faces, etc. He is consistent and Glenn likes him, so I will relax.

Overall

Glenn: 2 Webshooters- Bit of a let down but not terrible. It was just fine. It was like they just lost interest in the story more than anything.

Steve: 2 Webshooters- An event I really enjoyed at the beginning ultimate sputtered across the finish line and left us wanting much more….and at least some sort of change.

Next week, more Spider-Man at Wanderings.

Spine Tingling Spider-Man Creators: Writer- Saladin Ahmed, Artist- Juan Ferreyra, Letterer- VC’s Joe Caramagna

Story:

Glenn:

Big showdown time, as Spidey gets his powers back courtesy of some assistance from Spidercide and goes for his head on collision with the mastermind behind his latest nightmare. Now with his powers back, Spidey overcomes the Jackal‘s last few obstacles with ease, dispatches him pretty easily and then wonders how lasting an effect this whole affair will have on him.

In two sentences worth of plot, the whole thing is wrapped up and I’m of two minds about it. This is like watching a really slow burn tense horror film like Hereditary and then it suddenly getting put on rapid rails for a Scream type finally. It works for Scream cause it has a brisker pace, but not with Hereditary, and I feel like this fourth issue is more like the last part of the former than the latter.

I didn’t feel the tension or sense of dread the previous issues established here. The mastermind being the Jackal makes a lot of sense. He certainly has the intelligence and capability of everything we saw in the issue previously. His whole motive of breaking down Peter mentally also tracks even though his plans in recent years have been on a bigger scale I’m not apposed to him going back to his core root of trying to mess with and/or kill the man he blames for the death of the woman he had a creepy obsession with.

It just feels a little too…easy? Like Spidercide literally presses a button on a remote and the case is wrapped up. It’s a fine finale, but I think the vibe is slightly off and although I can’t think of how, I feel the finale could have been more.

Steve:

I am in complete agreement. Each issue prior to this was a slow build. Some facet of Peter’s life was broken down, or he was faced with a new, frightening dilemma. There was room to breathe and feel the impact on Peter. It felt more like a character driven story with some real impact. Here, the reader can sense that it is over the minute that Spidercide flips the switch. Peter immediately goes to the Jackal and physically dismantles him in a few pages. Yes, there are lingering effects on his psyche that he will have to deal with, but he won and returned to normal life all in a few pages

Overall, I really enjoyed the story. The first three issues were a real surprise having Spidey be in a horror comic, but it really worked. And, it worked because Ahmed cleverly made his life frightening by hitting him where he would hurt the most, with those close to him. Not monsters under the bed, but the loss of what he holds dear to him. I really enjoyed his writing here; I just would have preferred for it to have been a five issue mini rather than four. The ending needed to breathe a little.

Art:

Glenn:

What vibes that remain is all down to Juan Ferreya’s excellent art. The Jackal who looks particularly terrifying which is something as his original design borders on the goofy side. The character didn’t get his upgrade to the sinister levels until he was brought back in the 90’s and was given a Joker-like redesign. When he was finally brought back by Dan Slott after many years away, the original costume did too and current artists have done a great job making it super creepy instead of silly, but Ferreya is the best to date.

The images linger after the last page which emphasises the Jackal’s last little boast to Peter about this little tale sticking with him. Few other villains have got into Peter’s head like Miles Warren (only Norman, Harry, Kraven, Venom and Ock immediately spring to mind) sop this makes sense. In a finale with an odd shift in tone in terms of pace, the art still delivers the goods.

Steve:

The story itself was good, but the art is outstanding. I’ve said it in other reviews, but I will say it again. Juan Ferreyra might be the best kept secret in comics…..and hopefully not for much longer. He absolutely excels at character work and layouts. His Spider-Man is fluid as Spidey should be. His Peter is likable and emotes the way a normal person should in this circumstance. His Jackal is terrifying and worthy of being the villain in this book. His backgrounds are fleshed out and frame the action well. And finally, his layouts are amazing! The two page spread with heavy action in the middle, and a foreshortened fist that would make Jack Kirby proud centers our attention, while the close ups around the central action deliver the intensity and ferocity of Spider-Man. It is beautiful to look at it and really delivers the emotion. This is one of two beautiful double page spreads. The other has a spoke like layout with the action emanating from a central motion of Spider-Man punching a hole through an androids stomach.

Sometimes double page spreads can seem lazy and feel like a cop out. These are works of art and move the story beautifully in short order. Reminds me of J.H. Williams and that’s a huge compliment. I’m a story guy first, but this art will bring me back over and over.

Overall:

Glenn: 3.5 Webshooters

Steve: 4 Webshooters (3 for story and 5 for art)

Check out all of our Spider content at the Pop Culture tab at Wanderingsandwoolgathering.com.

Superior Spider-Man #3 Creators: Writer- Dan Slott, Pencils- Mark Bagley, Inks- John Dell, Letterer- VC’s Joe Caramagna

Story:

Glenn:

It’s the buddy comedy none of us expected, but we’ve always wanted with Spidey teaming with Doc Ock to save Anna Marie and the city. This issue largely focuses on Peter cosplaying as the ‘Superior’ Spider-Man with some wonderful deep cuts to many classic tales both old and new.

Given how many big scale stories he’s given in his years at Marvel, it’s easy to forget how funny Dan Slott’s writing can be and that’s on full on display here. There’s a mix of great action, comedy, tension and even small character moments. Are the moments where Otto does seem to show some decency all part of a plot or genuine? It’s hard to tell, but that ambiguity adds instead of detracting.

I love the part where Peter goes all Doc Brown Back To The Future Part II with his whiteboard of what happened during the original Superior era. It just displays how insane these stories are when you concise them in such a manner. Any longtime Spidey fan will for sure have geeked out at all the Final Chapter (the original Lee/Ditko one) references.

The shocked Pikachu reaction Peter has at the end is great and is a compelling cliffhanger. I would wager Peter has set up some mental barriers to making sure the whole ‘taking over my body’ business doesn’t happen again but we’ll see!

Steve:

This issue was indeed funny. Peter attempting to pull off the ol’ Doc Ock braggadocio was hilarious and well played. Peter was all in, smacking his lackies and calling the henchmen “dolts.” Sometimes, an issue like this can come across as a bit too slap-stick and takes from the story (see Rek-Rap), but here, the comedy and the team-up works. Seems as though villain team-ups are running rampant through the Spider titles. See Amazing Spider-Man for a team-up with Tombstone.

I’m do not go as deep as Glenn on Spider-Man lore, but I am very familiar with Amazing Spider-Man 33. It is one of the best drawn and illustrated stories in all of comics. Spider-Man pushes himself to the extreme to save Aunt May. The sequential art in that issue is phenomenal and doesn’t feel like an “old” comic. The fact that issue 33 was referred to here let’s us know that Slott is building upon what has come before. Something Spider-Man fans will appreciate, I’m sure.

I’m not as quick to dismiss the ending as Glenn. I surely hope he is right and Doc Ock does not actually take over Spidey’s body again, but alas, Superior Spider-Man is the title. It’s possible that Ock could steal his body and return it peacefully, showing growth by Ock. Wouldn’t be a ton of fun, but the better of the two options. Not loving the ending, but I will hold off to see what Slott has up his sleeve.

Art:

Glenn:

I actually thought Bagley’s art looked a little different here, but couldn’t quite determine why. I don’t think we’ve had any changes in terms of inker or some such, but maybe it’s because he’s drawing stuff that’s a little different. He’s probably grateful to draw something even slightly different as I’m sure he has nightmares of Spider-Man chasing him at this point.

Much like his Amazing Spider-Man peer, it’s difficult to say anything new or interesting about Bagley’s work on Spidey. By now, everyone knows what they’re getting, and I personally think it’s hard pressed to find anyone who can do it better.

Steve:

I can think of a few that I would prefer here ,Glenn. Ramos is always a solid choice and I would add Chris Bachalo and Mike McKone to the list. Maybe even Juan Ferreyra who is doing excellent work on Spine-Tingling Spider-Man. That said, Bagley is always good. I don’t have any stats, but I would imagine between 616 proper Spider-Man titles and Ultimate Spider-Man, he has drawn more Spidey than anyone. He is great here again.

Overall:

Glenn: 5 Webshooters With such a great mix of all the things, callbacks to the past, high energy and a great cliffhanger it doesn’t get much better in terms of Spider-Man comics.

Steve: 4 Webshooters Enjoying this, but hoping there is something new to say.

Amazing Spider-Man Creators: Writer- Zeb Wells, Pencils- John Romita Jr., Inks- Scott Hanna, Colors- Marcio Menyz, Letters- Joe Caramagna

Story:

Glenn:

After the action heavy 41, we get a pause to progress the story quite a bit here. I think this is a good balance in a way to have the action and exposition split up. Optimally, a superhero comic should have both, but I don’t think this run makes too much of a habit of it.

There’s a lot of licking wounds and moving players off/across the figurative gang war chess board. I think the highlight of the issue is a verbal stand-off between Beetle and Madame Masque, I think the scene is engaging and is kind of reminiscent of how in past times, leaders of armies would meet to try and talk out a solution before the battle commenced.

We have our issue end with it all about to kick off West Side Story style so next issue is looking to be a big epic battle with New York caught in the middle. It looks like the Spidey team will have to scramble to save the day, but I guess we’ll find out next issue!

Steve:

Glenn is correct, this issue picks up the threads from last issue and lays some context on it. They went heavy on the father-child angle of the series. Fisk goes out of his way to save the Rose and then steps out of the story. Tombstone continues to work behind the scenes with Spider-Man and She-Hulk to ensure no harm comes to his daughter, the Beetle. I think the story would have more weight if Count Nefaria hadn’t been take off the board so early (Masque’s father). That would have given us a triangle of fathers and children. Anyway, Madame Masque and the Beetle have a great conversation about being the child of someone who is a bad guy. It was a bit posturing, but also laying why they do what they out there for each other and the reader. Both are convinced they will do what it takes to become the new “Kingpin” of all of New York.

I truly hope that the Kingpin is lying about stepping out of the story. If he does not play into the end of this, it will be a missed opportunity.

Art:

Glenn:

Just basically the same as this whole story. Romita JR has done a great job and is more than able to balance the high octane action of last issue and the slower/more tense personal nature of issues like this. I can’t imagine many people who could have done a better job that Marvel has in their artist box.

Steve:

Oh Glenn, Glenn, Glenn, I can think of a lot of artist who could have done a better job. Romita excels at big action. His character work pales in comparison. I’ve stated it many times that his faces are just off- too much angle and odd cheek bones. The saving grace in this issue is that Spidey and Madame Masque are masked most of the time. One other minor quibble is the page with Spidey and She-Hulk jumping off a building. The Spidey pose is odd with his hands in an odd, elevated position with strangely hunched shoulders. Maybe I’m picking here, but it looked bad.

Overall:

Glenn: 3.5 Webshooters because I’m not getting paid and I can do what I like. (I’m deducting half a webshooter for Gleen’s insolence) We’re gearing up towards the final conflict which was likely be followed by an epilogue issue. It\s a very good issue that balances well with the last part.

Steve: 3 Webshooters

Next time: Finale of Gang War at Wanderings and Woolgathering.

Amazing Spider-Man Creators: Story- Zeb Wells, Pencils- John Romita Jr., Inks- Scott Hanna, Colors- Marcio Menyz, Letters- Joe Caramagna

Story:

Glenn:

Action! Blood! Loud Noises! Its two kinds of standoff with the majority of the issue having Tombstone, Spider-Man and She-Hulk fight Kingpin, Typhoid Mary and various goons. Meanwhile, Beetle confronts the Rose and Digger alongside her female supervillain peers. Its a good mix of action with some legit funny moments with the star of the issue, Typhoid Mary flirting with either She-Hulk or Spider-Man.

Not much story progression here, its very much a fight centric issue. I’ve seen better and worse with Amazing Spider-Man 33 (Vol. 2) and the issue long fight with Morlun being an example of the standard and I don’t thing this issue is at that level. Still, it’s great action with some small character moments from all the major players I greatly enjoyed.

Steve: As the Beetle runs headlong into the Rose, Tombstone calls a meeting the Kingpin to try to stop their kids. As you can imagine, it doesn’t go well. As one would imagine, things don’t go well between these big egos. Essentially, this issue is fights on two fronts: one between Tombstone and Kingpin and one between Beetle and the Rose. As the Beetle seemingly has the upper hand with the Rose, Kingpin’s troops show up. In a very parallel sequence, Tombstone is besting Kingpin when Fisk receives a call stating that it’s over. “to be continued…..”

This issue was heavy on fighting and action sequences. The story in a larger sense didn’t progress much. The star of the issue was Typhoid Mary. She is unhinged here and provides genuine comic relief. In a very tense scene, she is looking over Fisk’s shoulder, flirting with either Spider-Man or She-Hulk. The Spider-Man and She-Hulk reaction, banter and confusion over her attention is hilarious. We learn that she flirted to anger Fisk and make him his best, and that she clearly doesn’t like She-Hulk.

Art:

Glenn:

So you know who drew that fight with Morlun I just mentioned? Why it was John Romita JR! So yeah, he can draw action and he has experience drawing the majority of the characters here so this is another easy task for him. I love how visceral in particular the fight between Tombstone and Kingpin is. These two titans have come a long way from being criminals who fought their way to the top but when its just the two of them battling it out, you see what they’ve become kind of melt away.

Again the best thing about this issue is Mary and Romita JR draws her little flirtations with Spidey and She-Hulk so well that it adds to the little bit of bizarre humour to the moment. Having two scene’s of high tension with these little odd moments shouldn’t work but it does.

Steve: The best part of the art was the variant cover by JP Mayer and Dave McCaig- Hasbro Rom. Love the way that Rom pops off the page. As for the interiors, I have made it known many times how I feel about JRJr. I do not like his character work, especially faces. That stays true here. What I do enjoy, though, is his story movement and panel layouts. He does an excellent job depicting the insanity of two different brawls. Lots of characters, all doing different things. He did a nice job selling the battle here, especially between Tombstone and Kingpin. Very intense and nasty.

Overall:

Glenn: 3.5 Webshooters (someone should tell Glenn that we don’t do halves)

It’s another great issue but without much actual story progression and having read better fight centric issues, I have to mark it down slightly. I also am a little worried that we don’t have much time left in this story and there’s still a lot to do.

I hope the ball isn’t dropped here.

Steve: 3 Webshooters-

Next review- Ultimate Spider-Man by Hickman. Join us here.

Amazing Spider-Man Creators: Writer- Zeb Wells, Pencils- John Romita Jr., Inks- Scott Hannah, Colors- Marcio Menyz, Letters- Joe Carmagna

Story

Glenn: Two great issues in a row? Why it must be Christmas! A good mix of action and plot progression in this one. I think Tombstone in particular is being written really well. He’s basically throwing away everything he’s worked his entire life for in an attempt to save his daughter, but is it perhaps too late?

The pieces on our proverbial chess board continue to march onwards as we get an interesting new ‘King’ in play at the end. Its a shame that this was spoiled in solicits as it would have been a nice surprise, but that’s modern comics.

When it was announced that Zeb Wells was taking over Amazing solo I could never have predicted a crime centric story being his best work on the book, but here we are.

Steve: Getting a little tired here of agreeing with Glenn. I, too, did not have high hopes for this “event.” Wells’ run thus far had been pretty sketchy and inconsistent. Perhaps his work leading to this point is actually going to pay off. The star of the series is actually Tombstone. Wells has done an amazing job of making the reader relate to Lonnie through his love for his daughter. He goes to all lengths, including a team-up with Spider-Man, to make sure she comes to no harm. Wells is bringing in Kingpin and Typhoid Mary so things should really heat up.

Art

Glenn: Again, John Romita JR is in his element. I’m not sure if he’s the one who designed Janice’s new Beetle suit, but its pretty cool looking even if it is pretty on the nose about her descent into darkness.

Its a treat to see him drawing the two characters at the end given that he co-created one of them and his dad co-created the other. His action pages are also great and I’m just loving every page in this story. I think this is his best work on this current era yet.

Steve: I’ve been pretty hard on JRJr so far. I don’t love his art, especially his facial work. Here, though, he is showing why he is a master stroy teller. His panel work and movement is fantastic. He is absolutely nailing the “city is blowing up” facet of this story. He has given Beetle a new suit, as Glenn mentioned. I, however, would have preferred she stay in her original costume. It makes her look younger and more innocent. It sells Lonnie’s motivation a little better.

Overall

Glenn: 4 Webshooters. Gang War is a treat. Let’s see if we can keep it up

Steve: 4.5 Webshooters I am absolutely loving this story.

Superior Spider-Man

Superior Spider-Man Creators: Writer- Dan Slott, Pencils- Mark Bagley, Inks- John Dell, Colors- Edgar Delgado, Letters- Joe Caramagna

Story

Glenn: So things ramp up here too. Although Peter decided that changing back into his normal clothes would save the day, they very much haven’t. Luckily Anna Marie is on the scene….or is it?

As soon as we had the ol dependable ‘villain takes love interest/former love interest captive’ story beat I was like ‘ahhhhhh THIS is why we have THIS title on the book.

I’m VERY excited now to have Peter and Otto having to team up now for a common goal with the latter coaching the former on how to be more like the latter when they were the former (comics are a trip). I thought this issue was excellent, but I am SO excited for how this unlikely partnership will go.

Steve: Surprise Surprise, we get another Spider-Man team-up with a villain. It didn’t hit the same way that the team-up with Lonnie did in Amazing, since we are actually relating to him. I am enjoying this book, but I’m not feeling much of a connection to the villain, in any way. There simply isn’t much to grab onto. I get it, she wants to kill Spider-Man (Otto) I hope there is a twist that makes me care a little more.

For the good- I’m enjoying the inclusion of Anna Marie here. She is a wonderful character and has an interesting relationship with Otto and Peter. It will be interesting to see how she puts her stamp on this story. I am also liking the inclusion of Spider-Boy. Nice to see Peter mentoring a young Spider-Boy with all the worry and guilt that comes with it.

Art

Glenn: I find it a struggle to really come up with new things to say about Bagley every review. Its odd to have two such seasoned Spider-Man artists STILL drawing books starring the character, but they do a damn great job.

I still think Bagley’s swan song on Spider-Man should have been life story and Marvel give him a new challenge, but his work is still as good as ever so I won’t complain much.

Steve: I agree Glenn. Bagley is fantastic and has been for a long time. My only issue with the art is the fact that I read it alongside two other Spidey books. The colors were a little darker and murkier here. I preferred Amazing and Spine-Tingling much more. Still great storytelling, so the story only suffered minimally.

Overall

Glenn: 4 Webshooters. The story is on the precipice of something special with where it seems to be going. We’re not quite there yet, but this was another strong part of what essentially is now a two part lead in to the return of the Superior Spider-Man (kinda).

Steve: 3 Webshooters

Spine-Tingling Spider-Man

Creators: Writer- Saladin Ahmed, Art/colors- Juan Ferreyra, Letters- Joe Caramagna

Story

Glenn: Damn it, this book is great. It seems we’re at the solution, but not quite. There’s a strong mix of atmosphere to keep up the tension while some plot morsels are fed to us.

It doesn’t seem as if the ‘spoiler’ cover I feared is all that it seems as we get another player in this nightmare theatre Spidey finds himself in. Are we still accepting all we see though at face value? I’m not sure what to believe in regards to this story and I’m loving every second of it.

Steve: After lots of story twists and turns, it’s nice to start getting some payoff. It was a nice touch to tease us with Mysterio only to get yet another layer of evil. Not sure how I feel about Spidercide showing up again. Not terribly familiar with the character and he looks a little too much like Rek-Rap:) Thank goodness he doesn’t have a bad sense of humor. I’m excited to see how this one lands.

Art

Glenn: Dear lord. The creepy factor and heavy atmosphere by Juan Ferreyra is just so strong here. I can’t think of many other artists that would make this book so otherworldly and dreamlike.

The image of where Beck is in particular makes me think I’m reading Hellraiser and not Spider-Man. It almost makes me feel sorry for Quintin, but he’s put Spidey through a lot of bs in recent years….

I can’t wait to see what horrors Ferreyra will inflict on my eyes next issue.

Steve: Can’t say much more than Glenn said and what we have said for the past two issues. Juan Ferreyra ia a master! He can go the simple, quiet moments to insane horror. He is quickly becoming one of my favorite artists.

Overall

Glenn: 4.5 Webshooters The series is SO GOOD. I want to give this a perfect score, but I’ m worried the last issue might drop the ball. I don’t think it will, but I’ll air on the side of caution. Its only perfect…

Steve: 4 Webshooters The art is special!

Check out all Spidey content at Wanderings and Woolgathering.

Spider-Man Gang War Creators: Writers- Zeb Wells and Cody Ziglar, Artists- Joey Vazquez and Julian Shaw, Colorist- Bryan Valenza, Letterer VC’s Joe Caramagna

Story:

Glenn:

Its time for the latest big Spidey event as we return to the streets, some more familiar Spider-Man foes and the continuation of Marvel’s recent trend of reusing old storyline names in the hopes that lightning can strike twice.

There’s a lot happening this issue as we knock over the dominos set up in Amazing to set this whole kit and kaboodle off. We get a lot of good character moments, especially with Janice Lincoln, the new Beetle, Tombstone’s daughter and former fiance of Randy Robertson. It’s mostly a talky talky which is fine because at least its mostly good talky talky that progresses the plot. The issue ends with things just about to go full blown action, Spidey musing about needing a team and the real mastermind of the event being revealed.

I think this was a lot better than the last few stories we’ve had. I do have some issues. Particularly the conversation between the two Spider-Men. Here we see Peter being dressed down heavily by Miles. I’m never a big fan of seeing Peter portrayed as the incompetent hero who needs to be told off by anyone, but especially not his protege. It makes Miles seem unreasonable and Peter seem like an idiot. I think this conversation was perhaps needed from Miles perspective but it didn’t need to be so ‘teacher telling off a bad student’ vibe.

I liked the scene of the gangsters gathering a lot, but I felt a bit lost in terms of who each of the characters where. Some of them aren’t referred to by name and could maybe have used a small caption box to state who they were. I’m also not 100% sure who people like the new Crime Master is. You can’t expect every reader to know everything and that’s me saying that who knows far too much about Spider-Man.

This issue reminded me of the great crime centric stuff Howard Mackie and John Romita JR did back in Spider-Man in the 90’s. Stories involving Hammerhead, Jimmy 6, Silvermane and others but…not quite as good.

Steve:

I agree with Glenn on much of the issue, but I had a different take on the interaction with Peter and Miles. While Miles is certainly bold in this conversation, I think Peter’s response speaks to his character. He is not above reproach. He can look at a situation, or a critique, and accept his responsibility in how he handled it. Exactly what happens here. It reminds me a bit of my time in high school administration. There are times when a student has a good idea, or a point of disagreement where I must accept that they are right and move on. I feel like that is exactly what happens here.

The scene with the crime lords meeting to discuss who owns what part of the city was good. However, not sure why Shang Chi was there, unless it is infiltration. I haven’t read his book lately so I’m not aware of his current status in the 616, but this seemed odd. The addition of Janice at the meeting added the necessary stakes for the issue. Would she kill her former fiance Robbie to take her place at the table. Of course we knew the answer to this, but it did provide the drama and heart for the rest of the issue.

By the end, New York has exploded. It will be interesting to see where this goes. I hope it doesn’t become a giant royal rumble that events typically do, losing the heart that makes Spider-Man great.

Art:

Glenn:

I’m not too familiar with the artists here who seem to be some of the batch of Marvel ‘everymen’ we’ve seen over the past few years. Very talented people who the company swap around to wherever they’re needed while never being pushed as particular ‘names’ or ‘stars’.

It flowed well, everything looked great and it had a close enough likeness to McGuiness to have some good visual continuity from the last arc. The emotions when needed where portrayed very well and every scene flowed well. Nothing massivingly mind blowing but all very strong and doing what was required of the story.

My biggest issue with the art is I think Marvel should be treating its artists better. My mind goes back to how they stated that a number of artists don’t ‘move the needle’. I feel they could do more to promote the talent they have so if the needle statement is accurate, that can change.

Steve:

There is no doubt that the artists on this issue did a servicable job. The pacing is good. The layouts are good. The “acting” by the characters is good. My only wish with this story would be to have a grittier artist. There are a few scenes, especially when we find out who is behind the whole mess, and her subsequent beat down of Hammerhead, that would be more effective with a more realistic, less cartoony, artist.

Overall

Glenn:

Some quibbles but a LOT better. This whole run still is of course weighted down by its own bad decisions. They would either need a completely fresh start or something mind blowing to shake that off and whole this was good, it wasn’t mind blowing.

Steve:

I really liked the issue as a whole. Wells and Ziglar have placed many threads to handle as they move forward. One bright spot is the ending. It seems that Spider-Man is putting a team together, hopefully placing him firmly in the Marvel Universe again.

Glenn: 3 Webshooters

Steve: 4 Webshooters

More Spider-Man content incoming at Wanderings and Woolgathering- Pop Culture tab.

Creators:

Zeb Wells- Writer

Patrick Gleason- Art

Marcio Menyz- Colors,V

Cs Joe Caramagna- Letters

Amazing Spider-Man 34 continues Peter’s path of destruction. Following an issue where he put Kraven 2 in a grave, alive, he increases the pain here. Peter pulls the plug on Tombstone in the hospital, threatens to throw MJs man off a bridge, ala Gwen Stacey, and he beats the snot out of Norman Osborn. The story culminates in an awkward meeting with Peter and the Goblin Queen and Norman rescuing Kraven 2 from his grave. This is the penultimate issues of the arc leading into Gang War, so next issue promises to have a big finale.

Story:

Steve: My fellow Webshooter and I have not been shy about our feelings about this run. Putting those feelings aside, this isn’t a bad issue for what it is. If, as readers, we truly want to find out what can happen to a person with Goblin blood coursing through his veins, look no further. Peter’s altruism is thrown out as he vengefully goes after those who have hurt him in the past. Knowing he will return to himself, this is a fun, albeit violent, journey for Peter. Watching this play out should be interesting, especially what could happen with Peter and the Goblin Queen dealing with Kraven on a revenge tour. The big question is what will happen to Norman as a result. This seems like a great opportunity to save Peter and reaccept his role as the Goblin. We shall see. Maybe we can get a more down to earth story where Peter actually acts like Peter and has to deal with normal problems while saving the world. Ahhhhh, doubt it.

Glenn:

Filled up with some serious bad Goblin juju, Peter seems to be settling old scores that have been troubling his subconscious. This issue, his twisted mind turns him towards Mary Jane and her new partner, the infamous Paul. Luckily all around good guy Nomran Osborn manages to compel MJ and Paul to scamper. He even gives Peter an alibi and advises the couple to take the tunnel, not the bridge which I thought was a nice touch. As stated before though, I will never accept good guy Norman or other people accepting of him. MJ in particular should have been constantly kicking him in the crotch, but this is where we are.

Black suited Spidey shows up and puts on a serious beatdown on Norman while MJ/Paul make their getaway. During this beating, Peter voices a LOT of criticism over good guy Norman and Paul to the point of parroting some of the discourse some of the recent Spidey story decisions have made. IT’s almost meta in a way, and to me, that’s an error. If this is on purpose, it means the writer and company KNOWS what people are unhappy about and are ignoring it/villainising it (some people it should be sent are rather demented about some of their criticims) OR they’re pointing out the stupidity of some of the things people don’t like so your reader might go ‘hey wait, he’s got a point.’

The comic is also split with Claven in his coffin battling thoughts of suicide. I think it’s bad form for Marvel to have someone who has a family history of suicide (so to speak) without a trigger warning or perhaps some pointing towards some help lines with those that have had similar thoughts. I may be overthinking it, but as someone who has dealt with heavy suicidal thoughts, it hit me like a ton of bricks. It was well written but I feel it could be unsettling or distressing to survivors like myself or those that have been left behind. Given how strong Claven is, I doubted he’d be stuck for long, so being stuck in this terrifying situation where he battled his mind was the real conflict.

The issue ends with the Goblin Queen seemingly trying to reach Spidey as perhaps some of her Ashley Kafka personality has resurfaced even if her appearance hasn’t changed. Norman also digs Claven out of his grave using the magical sphere asking for his help. Next issue we get the cure of Peter who I hope didn’t hurt anyone in his attempt to take out MJ and Paul. I really don’t need more of super depressed ‘Ah’m a MONSTERRRR’ in the style of Bluster Bluth mode Peter.

Art:

Steve: As with the other issues, the art is fantastic. Patrick Gleason is an excellent Spidey artist. The real star on this issue is the colorist Marcio Menyz. This story is dark and he is up to the task. Deep colors with orange highlights for the coffin pages. Deep blues and shadows for the night scenes. Gorgeous pages. Honestly, I prefer a lighter, brighter palette for Spider-Man, but for this story, it’s perfect.

Glenn:

Gleason does a lot to service a story that requires a lot of. tense visuals. A lot of tight panels to either magnify the threat of our Spidey-Goblin or Kraven’s claustrophobia. His panel of Norman’s expression as Spider-Man’s MASSIVE frame looms behind him is especially effective. Is Spider-Man really this much of a unit? It doesn’t matter I guess cause it works in the moment. I also loved the design Gleason did on Spidey on the closing pages as he attacks the tunnel where MJ and Paul are trying to make their escape. Like I said before, Gleason is doing a fantastic job making everything look great. I can’t imagine many other people working today that would make anything here much better. He’s a gifted storyteller in how he’s communicating what the story is trying to get across which is really helping some of the things the reader needs to pick up on.

I always feel bad that I don’t say more but every time I experience Gleason’s work, I feel like I’m not taking much away. Yes, he’s great, yes he’s doing what is needed but nothing jumps out at me really in particular. Like I said last issue, despite drawing a LOT of Amazing Spider-Man by now, he’s not really had that much of a huge impact or impression.

I do love that MJ had a pair of Jeff the Landshark slippers. I want a pair Marvel, pronto.

Scores:

Steve: 4 out of 5 webshooters

Glenn: 3 out of 5 webshooters- Overall it was fine, with some good tension but again there’s such a magnicently sized cloud of stupid over everything.

Next issue is the finale of this story and should lead us to the beginnings of Gangwar. Come back to Wanderings for more Spidey updates.